http://imek1.blogspot.mx/
sábado, 24 de marzo de 2012
viernes, 23 de marzo de 2012
RUSS MILLS IS CRAZY!!
"UK illustrator Russ Mills has spent the last 20 years honing his technical skills in traditional and digital art, gathering inspiration from every facet of visual culture as well as archiving found objects and ephemera to incorporate into his work. Mills has worked as a freelance illustrator with numerous clients in publishing and entertainment, and has more recently started to pursue gallery exhibitions with solo and group shows in London, Bristol, and the US."
. JUXTAPOZ MAG
VIDS
"LOS IMAGINANTES NO SE CONFORMAN CON RETRATAR LA REALIDAD, LA DIBUJAN COMO DEBE DE SER"
"QUE ES ESO DEL HIP HEEE"
Tepic Nayarit
NOMBRE TENGO QUE REGRESAR ALGUN DIA. DESPERTAR COMER TOMAR PINTAR COMER TOMAR PINTAR OTRA VEZ.....AY DIO HEHEHHE GRACIAS AL SOLVER SU CARNAL QUE PUSIERON EL AMBIENTE, AL AZBER Y DAYETOOONTONTON QUE NO NOS DURARON PARA EL ARRANKE
miércoles, 7 de septiembre de 2011
LEBBEUS WOODS
Career
Woods studied architecture at the University of Illinois and engineering at Purdue University and first worked in the offices of Eero Saarinen, but in 1976 turned exclusively to theory and experimental projects. He has designed buildings in Chengdu, China and Havana, Cuba. In 1988, Woods co-founded the Research Institute for Experimental Architecture, a nonprofit institution devoted to the advancement of experimental architectural thought and practice while promoting the concept and perception of architecture itself.
He is currently a professor of architecture at the Cooper Union in New York City and at the European Graduate School in Saas-Fee, Switzerland.
[edit]Philosophy
The majority of his explorations deal with the design of systems in crisis: the order of the existing being confronted by the order of the new. His designs are politically charged and provocative visions of a possible reality; provisional, local, and charged with the investment of their creators. He is best known for his proposals for San Francisco, Havana, and Sarajevo that were included in the publication of Radical Reconstruction in 1997 (Sarajevo after the war, Havana in the grips of the ongoing trade embargo, and San Francisco after the Loma Prieta earthquake).
Architecture and war are not incompatible. Architecture is war. War is architecture. I am at war with my time, with history, with all authority that resides in fixed and frightened forms. I am one of millions who do not fit in, who have no home, no family, no doctrine, no firm place to call my own, no known beginning or end, no "sacred and primordial site." I declare war on all icons and finalities, on all histories that would chain me with my own falseness, my own pitiful fears. I know only moments, and lifetimes that are as moments, and forms that appear with infinite strength, then "melt into air." I am an architect, a constructor of worlds, a sensualist who worships the flesh, the melody, a silhouette against the darkening sky. I cannot know your name. Nor you can know mine. Tomorrow, we begin together the construction of a city.
Woods, who envisions experimental constructs and environments, has stated, "the interplay of metrical systems establishing boundaries of materials and energetic forms is the foundation of a universal science (universcience) whose workers include all individuals".
Woods studied architecture at the University of Illinois and engineering at Purdue University and first worked in the offices of Eero Saarinen, but in 1976 turned exclusively to theory and experimental projects. He has designed buildings in Chengdu, China and Havana, Cuba. In 1988, Woods co-founded the Research Institute for Experimental Architecture, a nonprofit institution devoted to the advancement of experimental architectural thought and practice while promoting the concept and perception of architecture itself.
He is currently a professor of architecture at the Cooper Union in New York City and at the European Graduate School in Saas-Fee, Switzerland.
[edit]Philosophy
The majority of his explorations deal with the design of systems in crisis: the order of the existing being confronted by the order of the new. His designs are politically charged and provocative visions of a possible reality; provisional, local, and charged with the investment of their creators. He is best known for his proposals for San Francisco, Havana, and Sarajevo that were included in the publication of Radical Reconstruction in 1997 (Sarajevo after the war, Havana in the grips of the ongoing trade embargo, and San Francisco after the Loma Prieta earthquake).
Architecture and war are not incompatible. Architecture is war. War is architecture. I am at war with my time, with history, with all authority that resides in fixed and frightened forms. I am one of millions who do not fit in, who have no home, no family, no doctrine, no firm place to call my own, no known beginning or end, no "sacred and primordial site." I declare war on all icons and finalities, on all histories that would chain me with my own falseness, my own pitiful fears. I know only moments, and lifetimes that are as moments, and forms that appear with infinite strength, then "melt into air." I am an architect, a constructor of worlds, a sensualist who worships the flesh, the melody, a silhouette against the darkening sky. I cannot know your name. Nor you can know mine. Tomorrow, we begin together the construction of a city.
Woods, who envisions experimental constructs and environments, has stated, "the interplay of metrical systems establishing boundaries of materials and energetic forms is the foundation of a universal science (universcience) whose workers include all individuals".
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